2024
glazed stoneware
12” x 20” x 13”
2023
glazed earthenware, epoxy and aluminum rods
12” x 11” x 9”
2023
glazed earthenware
6” x 10” x 11”
2023
glazed earthenware, epoxy and aluminum rods
8” x 7” x 7”
2022
glazed earthenware
2” x 8” x 7”
2023
glazed earthenware, epoxy and aluminum rods
9” x 9” x 8”
2023
glazed earthenware, epoxy and aluminum rods
9” x 7” x 7”
2023
glazed earthenware, epoxy and aluminum rods
11” x 6” x 6”
2023
glazed earthenware, epoxy and aluminum rods
11” x 8” x 8”
2023
glazed earthenware
6” x 7” x 5”
2022
glazed earthenware
3” x 5” x 5”
2022
glazed earthenware
4” x 4” x 5”
2022
glazed earthenware
2” x 5” x 5”
2022
glazed earthenware
3” x 2” x 2”
2022
glazed earthenware
6” x 5” x 4”
2022
glazed earthenware
5” x 3” x 4”
2022
glazed earthenware
6” x 4” x 4”
2022
glazed earthenware
2” x 6” x 5”
2023
glazed earthenware
9” x 11” x 7”
2023
glazed earthenware, epoxy and aluminum rods
9” x 5” x 7”
2023
glazed earthenware, epoxy and aluminum rods
9” x 7” x 5”
I have long been fascinated by the unconsciousness; the hidden mental substrate that we all share. It’s the silent audience to our inner narration, a presence we can feel and see evidence of, but never view directly. In What It Is, Lynda Barry describes playing by herself as a child and the presence of something else “playing back.” I think this mysterious part of ourselves is critical to how we develop imagination, and from imagination, empathy. In spite of our current moment of dissonance and crisis, I still see hope in the power of these things to connect us. My current work began as a meditation on these themes, but grew to include others, including memory, landscape, and the body, as well as the self-organizing principle of matter and how it relates to life, evolution, and the development of consciousness.